As a culture, have we reached our level of satiation with the cast of the Jersey Shore? And if so, what can MTV’s producers do to bring back our waning interest? In this chapter we’ll discuss:
• The over-emphasis on the mundane:
By keeping this season almost solely focused on Ronnie, Sammi, and the uninteresting fights that spring up around them, we are left wanting to know more. Why else would we be teased by these underplayed hookups of Snooki and Vinnie? Or have only 2 minutes of the show dedicated to perhaps the most important event in Jersey Shore history…alpha male Michael “The Situation” Sorrentino having possibly hooked up with a tranny? Despite being in near tears over the mistake in the confessional, we are given no further explanation of Michael’s behavior that night, nor clues to where he or his sister went during the final fight of the episode (JWOWW v. Sammi). Were they still at the club? Did Michael go home with a man? Since we are never told, the audience assumes he didn’t (or else why wouldn’t we be shown?). But what has been left on the cutting room floor this season is far more interesting, we gather, than what made it on screen.
• The glossing over of the absurd:
“Shalom!” exclaims Snooki, while she and the girls down their drinks in giant sombreros. Ronnie’s sudden, inexplicable expertise on how to take care of drunk people after Pauly D. gets too wasted. “One foot on the bed, one foot on the floor,” he confidently demands of his intoxicated buddy, despite the fact that for the last 6 weeks, we have yet to see Ronnie come home with the ability to walk or form coherent sentences. Vinnie also takes the moment to gleefully exclaim “Pauly was so drunk, he’d hook up with me!” The girls cook dinner, and despite a minor mishap with some vodka burning, the meal is tolerable. Again, this is never explained, even as great pains are made to point out that the girls left the grocery list in the store. JWOWW and Sammi get into several explosive fights about Ronnie’s behavior, only to have the camera cut away halfway through the scene to show that Ronnie is, in fact, in the room. The word Kafka-esque may be overused and typically applied to red-tape bureaucracy, but is equally applicable in the majority of dead-ends that this twisty-turny show has taken us on this season without resolving. So we keep coming back? Perhaps.
• Red herrings:
Angelina’s almost Shakespearean role as the tragic messenger that is to be shot, over and over again, as well as her ability to act as her own grenade. The aforementioned grocery list, the grenade in that sleeps in Ronnie’s bed in the last episode, the sudden change in Vinnie’s character including the purchase (or ownership?) of giant diamond bling, Sammi’s obvious and very serious depression, anything that happens in the gelato store…all these are plot contrivances that make us look at the left hand for a moment while the right hand fills up another 40 minutes with questions of “Who wrote the note?” In the end, is Sammi’s note to be the one thing we have to cling to?
Post from: Crushable
Jersey Shore Cliff Notes 2.6: Ignoring the Tranny in the Room


